Oct 12 2011

Sounds of Dire Straits at Birmingham Symphony Hall

 Sounds of Dire Straits at Birmingham Symphony Hall

Guitar legend Mark Knopfler may no longer be the man at the microphone but The Straits, featuring former members of Dire Straits, will be bringing that band’s classic songs alive again at Birmingham Symphony Hall next week.

The Straits are kicking off their first UK tour in Birmingham on Monday, October 3, 2011, featuring former Dire Straits saxophonist Chris White, guitarist Phil Palmer and keyboard player Alan Clark, along with new frontman Terence Reis on lead vocals and guitar and a group of top session musicians.

The band made its live debut at a Lord’s Taverners charity concert at the Royal Albert Hall in May, with the Daily Express enthusing about “the unique sound of Dire Straits from the next best thing”.

Now they are about to hit the road for the first time, with saxophonist Chris White excited to be playing greatest hit after greatest hit.

“You’ll hear things like Telegraph Road, Private Investigations, Brothers In Arms, Romeo & Juliet  . . . all the things which formed really part of the Dire Straits tours, like the Brothers In Arms tour and the On every Street tour, most of that material, plus, there’s a little surprise in there for people as well.”

Does Chris have any favourite Dire Straits songs to play?

“I love playing on Romeo & Juliet. your Latest Trick is another great one to play. There’s a kind of breakdown thing in Sultans of Swing which I used to duet with Mark and I’m doing that with Terence now and that’s great because it goes wherever we take it every night.”

Talking of “Mark”, Dire Straits main man Knopfler has made it very clear that he isn’t interested in reforming the band himself but what does he make of the current incarnation?

“Mark has said many times that it’s not an area he is keen to revisit. He’s got his own really successful solo career,” says Chris.

“I was e-mailing Mark around the time of the charity gig and explained all that to him and he sent me an e-mail back saying ‘How great to do a charity gig and I really wish you lots of luck in anything else you do’.

“We’re doing it with respect for what’s been achieved and what Mark achieved. We’re not trying to change anything.

“That initially was the biggest challenge, can we do it without him? Which is why we were so fortunate to come across Terence. When that happened, the first time he started playing and singing I remember just standing there and thinking this is meant to be.

“Alan started looking around and stumbled across Terence. he saw him online doing something with his own band, Water Horse, and just thought, crikey that guy sounds just like Mark.

“So Terence agreed to demo a couple of Straits tunes and he bears an uncanny resemblance, without trying.  The incredible thing was that you think well we can maybe find someone to sing like him but he plays like him too.

“And that was just because Terence grew up in Maputo, Mozambique, where the street musician style is a finger picking style, so as a kid he picked up that style from the local guys and that’s what Mark plays.”

Fans will be able to make their own minds up at Symphony Hall but the reaction at the Royal Albert Hall was more than positive.

Chris says: “It was a very humbling experience and the reception was phenomenal, just like back in ’85. it really was incredible. and as a result of that people said ‘Can you come and do some more?’

“We did a festival in Europe where we supported The Eagles and the same thing happened. There’s a very loyal fan base for Dire Straits and that music and clearly people still want to hear it.”

Chris still, however, rues the day he had to turn down appearing on Dire Straits biggest-selling album.

“I was working with Mark from about ’83 on various projects. he then said in ’84 will you come and record, we’re going to do this particular album and tour next year, which was Brothers In Arms.

“Unfortunately I was committed to doing a jazz album with this little jazz band I was working with at the time, so I couldn’t do the Brothers In Arms album. I’ve always worked that if I said yes to something I did it.

“It would have been nice to have been on Brothers In Arms but I did the tour, which was fantastic, including Live Aid, which was incredible. it was just incredibly exciting – it was also my 30th birthday that day so that was pretty special.

“It was just great, a brilliant event. The Nelson Mandela 70th Birthday Tribute concert was like that too. That felt very much the same.

“And at Live Aid we were actually in the middle of a run of Dire Straits gigs across the car park (at Wembley Arena). We did our set at Live Aid and then wandered across there and had something to eat and did our own gig.”

  • The Straits play Birmingham Symphony Hall on Monday, October 3, 2011. Tickets cost £39.50, £29.50 and £19.50 plus fees.
  • Visit thestraits.com



Sep 24 2011

How to Learn a New Song on Guitar

 How to Learn a New Song on Guitar

Learning guitar is supposed to be fun, except when that new song becomes the three headed hydra that you are unable to defeat. Here is a great method to attack those new songs with so you can move on to become the guitar warrior you are meant to be first pick a song that is challenging at your level, not impossible but challenging. This will help you grow as you learn and progress as a guitarist.

Next you’ll want to take it SLOW at first. This is key, if you play a song slow you will learn how to manage all the tricky parts. if you try and try and try some more at a fast speed hoping that somehow you will pull off a magical maneuver you will end the playing session frustrated and upset that you cannot play that dumb song. start out at about 50-70% of the speed the song is to be played at. Tap your toe, set a metronome, do something to know you are playing at a slower and consistent speed.

Next is the toughest part, practice.practice..practice.practice, and do so every day if you do not practice for some amount every day you will never learn that elusive song. Anyone can find an excuse to skip practicing for a day but as soon as you do the next day comes and you have more excuses and so forth. Try to set a time every day that you can jam out, even if it is only 15 minutes guaranteed. This will be better than skipping whole months.

If you slow down your song and play it consistently every day, over time you will find it easier and easier and after about 2 or 3 weeks even the toughest song will seem easy to you. Now that isn’t to say you will be a master in a month but you will grow month by month to be a much better musician.




Sep 13 2011

Love.Might.Kill

by Nikiforos SkoumasStaff Writer

Love.Might .Kill  170x170 Love.Might.KillA new member in the “Firewind” family of bands has debuted! love.Might.kill is the hard rock/metal band of prodigal drummer Michael Ehre who joined “Firewind” in 2010. Issued by Massacre Records, Brace for Impact is the group’s debut album where Ehre is joined by long time friends Christian Stover and Stefan Elerhorst both on guitars, bassist Jogi Sweers plus Italian vocalist Jan Manenti.

While attempt to define the sound of love.Might.kill one’s job is made a lot easier by acknowledging that the album was produced by Victory guitarist Tommy Newton. Arguably anything touched by Newton is bound to sound like Victory; which bares truth for the case of Brace for Impact.

Much like Victory, Ehre and co. seem to understand the importance of having a non-German front man which is bound give the group an international appeal while also breaking any ‘German metal’ labeling that some would use to describe the band- which is clearly an oversimplification.

Musically you can expect thick guitar riffs, twin guitar melodies incredible rhythm section and a vocalist who flawlessly combines technique with style and feeling, resulting in surprisingly colorful vocal performance. Upon a few more plays the attentive listener will probably notice that performance-wise Brace for Impact is impeccable. the tempo is, at all times, immaculate-whether performing a groovy hard rock tune (“Pretty little Mess”) or a power metal song (“Calm before the storm”) Ehre and Jogi demonstrate super-human precision. in addition the guitarists are just as accomplished and precise proving a perfect match for the rhythm section with all riffs melodies, harmonies and lead breaks coming through crystal clearly. Finally Jan seems to have a natural talent in putting his heart and soul in a song, no matter how technically demanding the composition might be; indeed there is a strong AOR essence emanating from his performances and if Ehre is to be described as the heart of love.Might.kill then Manenti is definitely the soul of the group.

Power metal attack, melodic metal drama, heartbreaker ballads, all included on Brace for Impact. the sole disadvantage this release bares is to be found on the 3rd track “Pretty little Mess,” quite possibly the greatest melodic hard rock song of 2011, which effectively obscures the rest of the material. while, one notes, this is pretty unfair as all songs on Brace for Impact are crafted under the same high quality standards. Fans of Firewind, Victory and Crystal Ball are expected to enjoy this flawless album to the maximum.

Genre: Hard Rock / Heavy Metal

Band:JAN MANENTI- VOCALSSTEFAN ELLERHORST- GUITARCHRISTIAN STÖVER- GUITARJOGI SWEERS- BASSMICHAEL EHRE- DRUMS

Track List:01. Tomorrow never Comes (06:02)02. Calm Before the Storm (04:28)03. Pretty little Mess (04:19)04. Caught in A Dream (03:53)05. through the Dawn (00:55)06. Brace for Impact (04:28)07. We are the Weak (05:48)08. Down To Nowhere (03:24)09. Pray To Your God (04:14)10. Reach Out (04:17)11. the answer (02:02)12. Will love Remain (04:49)

Band website: lovemightkill.com/

Label website: massacre-records.com/

Hardrock Haven rating: 8.5/10