Dec 16 2011

Periods of Music – Baroque, Classical, and Romantic

 Periods of Music   Baroque, Classical, and Romantic

Classical music of the common practice era is divided into 3 main periods, that each have distinct styles and forms. While there is a little overlap between each period, it is universally recognized that the baroque period came first, followed by the classical, and romantic romantic periods respectively.

The Baroque Period (1600-1760)

The baroque period is characterized by music that is very structured and in high form. It also is known that many of the compositions that were written in this musical era were extremely contrapuntal and contained many fugues and fugue like passages. Contrapuntal music, or music with counter-point, is polyphonic in nature and features at least two musical voices, or melodies. These voices work against each other, and when one voice is stagnant for a while the other voice tends to doing something interesting melodically. a fugue is a formal method of counter point, where one theme is repeated in different voices complementing it. The baroque era is represented by such composers as J.S. Bach, Antonio Vivaldi, George Friderick Handel, Arcangello Corelli, Claudio Monteverdi, and Henry Purcell.

The Classical Period (1750-1830)

The classical period takes place from the middle of the 18th century to about a quarter’s way through the 19th. The classical period brought many changes to music as the greatest proportion of music was played for the wealthy upper-class nobles. this called for a drastic increase for comic operas, it also called for a decrease in the importance of a continuo part. The continuo is the harmonic fill beneath the music, commonly played by several instruments including a harpsichord.

Classical music is marked by a clearer texture than baroque music and was increasingly homophonic. Homophonic means that a chordal accompaniment supports a melody above it. The orchestra of the classical period increased and the harpsichord was replaced by the piano-forte. Early piano music was very simple and light in texture but as the classical period went on, it became richer and more sonorous.

The main kinds of compositions were sonatas, trios, string quartets, symphonies, concertos, serenades and divertimentos. The sonata form developed and became the most important form. It was used to build up the first movement of most large-scale works, but also other movements and single pieces, such as overtures. The most famous composers of the classical period include Mozart, Beethoven*, Haydn, and Schubert. (*Beethoven was a crucial factor in the movement towards the romantic period and can be classified as both classical and romantic)

The Romantic Period (1815-1910)

The romantic period does not necessarily refer to romance love. instead the pieces written during this time are considered to be more passionate and expressive. Chromaticism and dissonance grew more varied as well as modulations and the properties of the 7th chord. Composers such as Beethoven and Wagner used many new chords that increased the harmonic language of the time. Composers of the romantic period include Beethoven, Schubert, Schumann, Mendelssohn, Weber, Chopin and Franck.




Dec 14 2011

Pop Quiz: Are These Lyrics Final Fantasy XIII-2 Or Nickelback?

 Pop Quiz: Are These Lyrics Final Fantasy XIII 2 Or Nickelback?

Music has always been an important part of the Final Fantasy series. The popular role-playing games have typically featured catchy, eclectic soundtracks filled with beautiful orchestrated melodies.

Things are a bit different in Final Fantasy XIII-2, which publisher Square Enix will release on Jan. 31 for PlayStation 3 and Xbox 360. The sequel to 2010′s Final Fantasy XIII not only has terrible rap, as Wired.com pointed out in our E3 preview of the game, but a heavy metal rendition of the Chocobo theme song and other assorted pieces of atrocious music. The game’s soundtrack leaked on the Internet on Tuesday morning, and we’ve been more than a little disturbed with its contents.

Don’t believe us? Let’s play a guessing game: Read the below list of song lyrics, telling us which are from the Final Fantasy XIII-2 soundtrack and which are from the rock band Nickelback. Can you guess the source of each lyrical facepalm? (Answers on page 2.)

1. If everyone cared and nobody cried / If everyone loved and nobody lied / If everyone shared and swallowed their pride / then we’d see the day when nobody died

2. People of the light come out stand tall / be strong through the night come one come all / Warriors stay loud stay proud don’t shroud the features you are blessed with

3. Don’t be ashamed of your race or the place that you’re from

4. It’s not a human walk, it’s the human race / If we were living on the edge, taking too much space

5. Saddle up if you think you can ride in this rodeo

6. So I’ll be holdin’ my own breath / Right up to the end

7. This is where time ends

8. Now is the time, today is a new day, no shadows of doubt all has been done away / A feeling washes over me make me into a higher being wash away this anguish / I am feeling

9. So cute yet fierce, is he from hell? / I cannot tell, yet I don’t even wanna know

10. [unintelligible screaming]

Pages: 1 2 View All




Dec 3 2011

PHIDEAUX The Great Leap music review by Gorloche

4stars PHIDEAUX The Great Leap  music review by Gorloche this album is indicative of the early writing style for PHIDEAUX, I feel, warts and all. A preoccupation with gothic sounds and progressive music, but no solid ideas yet as to how to best mix them. there are great riffs here, great lines, great melodies, but they never seem to come together all at the same time. Don’t take me wrong; these are very good songs on their own and are rather satisfactory, but it pails in comparison to what we know he can do. I think perhaps if DOOMSDAY AFTERNOON or NUMBER SEVEN had never been released, I would rate this a four-star album, but with those to show how he is able to mix these sounds, I feel that this deserves closer to a three.

However, there are elements that bring me back to four stars. there are elements here that could work on alternative rock songs, a kind of prog-lite flavor that actually helps to balance out some of the iffy segments. Take for instance the more upbeat section of the sample tune available here. In between grim, grinding gothic riffs and refrains of “All that’s left behind” comes an almost jangly guitar part that feels like a more assertive and bass-heavy version of the Smiths, perhaps. The darkness in this album I feel is also a great strength. it is strident, domineering, bleak, and oppressive at times, but it feels earnest and brings, dare I say it?, cool images to mind.

It isn’t perfect and it has warts all over it, but this is a good album. Four stars, but just barely. Gorloche | 4/5 | 2011-2-28